However, this temporary solace is just a temporary distraction, as one is still slowly disappearing from within. The song reflects on the fact that while trying to rebuild the broken pieces of one's life, one often loses balance and finds themselves distancing themselves from others, finding temporary solace in other sources. The opening line "What have I seen other than what the bottom looks like?" presents a vivid image of hitting rock bottom and being stuck in a place of darkness, in between the gloom and the light, with no clear way out. The lyrics of Touché Amoré's song Amends express a profound feeling of regret and sorrow for one's actions. Nick Steinhardt - guitars (formerly bass) But Bolm considers The Wave as less specific and also includes bands Tigers Jaw, Title Fight, Balance and Composure, Former Thieves and Into It. The band has also been credited as being a part of a self-proclaimed group of post-hardcore bands called "The Wave", with fellow post-hardcore bands Defeater, La Dispute, Make Do and Mend and Pianos Become the Teeth. Touché Amoré are noted for their honest and confessional lyrics, for fusing influences from Converge, Raein, La Quiete and Pg.99 and for being a part of screamo revival. Most recently, the band released Lament, the follow up to their highly acclaimed 2016 release Stage Four, in 2020 through Epitaph Records. On September 24, 2013, their third full length, Is Survived By was released. To the Beat of a Dead Horse was released in 2009, followed by Parting the Sea Between Brightness and Me in 2011. They have released five studio albums and several EPs. The band consists of lead vocalist Jeremy Bolm, guitarists Clayton Stevens and Nick Steinhardt, with Tyler Kirby on bass guitar and drummer Elliot Babin. The World Is A Beautiful Place & I Am No Longer Af.Touché Amoré is an American post-hardcore band from Burbank, California, forme… Read Full Bio ↴ Touché Amoré is an American post-hardcore band from Burbank, California, formed in 2007.This consistency creates an experience that really distinguishes this album as its own. This, in my opinion, is their best release to date. The overall tone and atmosphere, culminated by the vocals and lyrics, the riffs and playing of the band, the production, and the artwork, is really dark, ominous and looming, which is something I really love about it. Their are also two guest vocal spots, one from Thursday's Geoff Rickly and the other from Modern Life Is War's Jeff Eaton. Lyrically, Jeremy has also expanded from "Fuck this, fuck that" (though that still is awesome) to discussing more personal issues in a more poetic way of expressing them, I suppose you could say. The mingling of guitars becomes more evident (and even more prominent later), the drumming is intense, and the bass is pummelling. Though still fierce, they certainly tightened up as a unit. I think their original bassist switched to guitar or something as well). This continued the sound found on their debut album (two songs were even re-recorded for it), but with a more refined sound and some line-up changes (their drummer, in particular. To The Beat Of A Dead Horse, as a joint release between Collect Records (Geoff Rickly's label, who the band had a previous friendship with) and 6131 Records. The following year they put out their first full-length.
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